The development of jazz, hard bop.

The fans of jazz, in the era of this music in 2000 began to tune up to foreign countries, the strains of classic music that is perfect in a relaxed moment listening, jazz music was born from the tradition of mixed African and European music, from early development to the present, jazz has incorporated music from music of the 19th century and the 20th American popular. West African pedigree is clear in its use of blue notes, improvisation, polyrhythms, syncopation and swing notes. From its beginnings in the early 20th century jazz has spawned a variety of subgenres: New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, free jazz, hard bop and various fusijazz Latin, such as Afro-Cuban, from the 1950s and 1960s, the jazz fusion of 1970's, acid jazz of the 1980s (which combines funk and hip-hop elements), and jazz nupada the 1990s. As the music has spread around the world that has attracted padaberbagai local music culture, regional and national cause for many many tahundengan typical style. But at this time I will discuss the music that is inserted into the hard bop jazz music. First we must know what it is hard bop, hard bop is an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing. Hard bop was developed in the mid-1950s, partly as a response to the fashion for cool jazz in the early 1950s. Hard bop style come together in 1953 and 1954, in line with the rise of rhythm and blues. "Performance" Walkin 'Miles Davis', the title song from his album the same year, at the first Newport Jazz Festival in 1954, the style of announcing to the world of jazz. Quintet Art Blakey and the Jazz Messengers, fronted by Blakey and featuring pianist Horace Silver and the playerstrumpeter Clifford Brown, is a leader in the hard bop movement along with Davis. Hard bop was associated with the East coast, as opposed to the West coast cool jazz.Initially, the main difference between bebop and hard bop is that both contain the Gospel a more open and blues influences, both in rhythm and harmony. Furthermore, hard bop compositions tend to be based on the original chord changes and blues progressions rather than just pop songs, and hard bop musicians were more likely to create a setting that is used several horns in harmony, both during head and riffs as a distraction or during the solo. Recordings made by the seminal hard bop combo led by drummer Art Blakey and pianist Horace Silver in the 1950's. This group eventually became known as the Jazz Messengers, and after leaving the group Silver, Blakey continued to lead it during the next forty years, with players constantly changing musicians muda.Berikut are excerpts of recordings featuring Silver and Blakey who emphasize the influence of the gospel. For some critics, hard bop is basically defined the term as a musical group. It is also generally acknowledged that those who played with the group playing hard bop when leading their own groups as well. For example, Lee Morgan played trumpet with Blakey for several years during the 1960s, and he made several recordings under his own name has a sound similar to the Apostles. The hard bop term has come to include the influence of gospel music without the overt or the composition of typical genre. The main quality that distinguishes this music from bebop to play solos that rely less on skill and that takes more than vocal approach. For example, the following recordings with saxophonist Sonny Rollins is considered by many to be a hard bop. Hard bop seemed very suitable for singing. One very interesting vocal technique that is often associated with hard bop known as vocalese. In vocalese, jazz solo lyricist took note and wrote the words for it. Often, syllables went so fast that they sing is a real challenge, creating additional excitement beyond its own line of melody or lyrics. Vocal trio Lambert, Hendricks, and Ross is one of the most popular jazz group vocals, combining gospel-like harmonies with hard bop vocalese technique. Music is known as the "jazz soul" exploitation of gospel music more than most keras.Istilah bop "funk" was originally used to describe this music, although the term has come to take another meaning. While jazz soul gospel contains a greater content, often using other forms of simple composition than most of the hard bop. The Hammond B-3 organ which often replaces the piano (and sometimes bass) in the soul jazz combo, and indeed, the organ music exemplifies the spirit of jazz. Here is an example of recordings featuring soul jazz organist Jimmy Smith.